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Sienese Painting after the Black Death黑死病后的锡耶纳绘画书籍详细信息
- ISBN：9780521846646
- 作者：暂无作者
- 出版社：暂无出版社
- 出版时间：2007-04
- 页数：264
- 价格：763.00
- 纸张：胶版纸
- 装帧：精装
- 开本：16开
- 语言：未知
- 丛书：暂无丛书
- TAG：暂无
- 豆瓣评分：暂无豆瓣评分
内容简介：
Asking how social, religious, and cultural change effect visual imagery and style. Judith Steinhoff demonstrates that Siena's artistic culture of the mid- and late fourteenth century was intentionally pluralistic, and not conservative as is often claimed. She demonstrates that Sienese art both before and after the Black Death was the material expression of an artistically sophisticated population that consciously and carefully integrated tradition and change. Promoting both iconographic and stylistic pluralism, Sienese patrons furthered their own goals as well as addressed the culture's changing needs.
书籍目录：
Part I. Trecento Art History and Historiography:
1. General introduction
2. Meiss and method: historiography of scholarship on mid-Trecento Sienese painting
Part II. Artists and Patrons: Working Relationship in Transition:
3. Patrons and artists
4. Economic, social and political conditions and the art market after 1348
5. Artists’ working relationships in the early Trecento
6. A Sienese ‘compagnia’, c. 1348–1363Part
Part III. Transmission and Transformation of Civic-Religious Imagery
7. The crafting and consolidation of Sienese civic-religious imagery;
8. Sienese civic-religious imagery at the mid TrecentoPart IV. Artistic Style: Tradition and Transition:
9. Stylistic pluralism in the 1330s and 1340s
10. The politics of style in the 1350s and 1360s: the case of Santa Maria della Scala
11. Style as iconography: general reflections
Part V. Conclusion.
Notes
Wprks Cited
Index
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书籍介绍
This book provides a new perspective on Sienese painting after the Black Death, asking how social, religious, and cultural change affect visual imagery and style. Judith Steinhoff demonstrates that Siena's artistic culture of the mid- and late fourteenth century was intentionally pluralistic, and not conservative as is often claimed. She shows that Sienese art both before and after the Black Death was the material expression of an artistically sophisticated population that consciously and carefully integrated tradition and change. Promoting both iconographic and stylistic pluralism, Sienese patrons furthered their own goals as well as addressed the culture's changing needs. Steinhoff presents both detailed case studies as well as a broader view of trends in artistic practice and patronage. She offers a new approach to interpreting artistic style in the Trecento, arguing that artists and patrons alike understood the potential of style as a vehicle that conveys specific meanings.
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知识深度：3分
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实用性：8分
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情感共鸣：9分
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