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The Cambridge Companion to Performance Studies（ISBN=9780521696265）书籍详细信息
- ISBN：9780521696265
- 作者：暂无作者
- 出版社：暂无出版社
- 出版时间：2008-11
- 页数：210
- 价格：211.70
- 纸张：胶版纸
- 装帧：平装
- 开本：16开
- 语言：未知
- 丛书：暂无丛书
- TAG：暂无
- 豆瓣评分：暂无豆瓣评分
内容简介：
Since the turn of the century, Performance Studies has emerged
as an increasingly vibrant discipline. Its concerns – embodiment,
ethical research and social change – are held in common with many
other fields, however a unique combination of methods and
applications is used in exploration of the discipline. Bridging
live art practices – theatre, performance art and dance – with
technological media, and social sciences with humanities, it is
truly hybrid and experimental in its techniques. This Companion
brings together specially commissioned essays from leading scholars
who reflect on their own experiences in Performance Studies and the
possibilities this offers to representations of identity,
self-and-other, and communities. Theories which have been absorbed
into the field are applied to compelling topics in current
academic, artistic and community settings. The collection is
designed to reflect the diversity of outlooks and provide a guide
for students as well as scholars seeking a perspective on research
trends.
书籍目录：
Introduction: The pirouette, detour, revolution, deflection,
deviation, tack, and yaw of the performative turn Tracy C.
Davis
Part I. Social polities: history in individuals: 1. Performance and
democracy Nicholas Ridout
2. Performance as research: live events and documents Baz
Kershaw
3. Movement's contagion: the kinesthetic impact of performance
Susan Leigh Foster
4. Performance matters: Bali and Baliology in the years of living
dangerously John Emigh
5. Universal experience: the city as tourist stage Susan
Bennett
6. Performance and intangible culture heritage Diana Taylor
Part II. Body politics: the individual in history
7. Live and technologically mediated performance Philip
Auslander
8. Moving histories: performance and oral history Della
Pollock
9. What is the 'social' in social practice?: comparing experiments
in performance Shannon Jackson
10. Live art in art history: a paradox? Amelia Jones
11. Queer theory E. Patrick Johnson
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书籍介绍
Since the turn of the century, Performance Studies has emerged as an increasingly vibrant discipline. Its concerns - embodiment, ethical research and social change - are held in common with many other fields, however a unique combination of methods and applications is used in exploration of the discipline. Bridging live art practices - theatre, performance art and dance - with technological media, and social sciences with humanities, it is truly hybrid and experimental in its techniques. This Companion brings together specially commissioned essays from leading scholars who reflect on their own experiences in Performance Studies and the possibilities this offers to representations of identity, self-and-other, and communities. Theories which have been absorbed into the field are applied to compelling topics in current academic, artistic and community settings. The collection is designed to reflect the diversity of outlooks and provide a guide for students as well as scholars seeking a perspective on research trends.
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