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MICHAEL FREEMAN'S PHOTO SCHOOL: BLACK &(9781908150974)书籍详细信息
- ISBN：9781908150974
- 作者：暂无作者
- 出版社：暂无出版社
- 出版时间：2013-01
- 页数：160
- 价格：167.70
- 纸张：铜版纸
- 装帧：精装
- 开本：16开
- 语言：未知
- 丛书：暂无丛书
- TAG：暂无
- 豆瓣评分：暂无豆瓣评分
内容简介：
Masteringthecraftofblack-and-whitewiththisuniqueapproach.Witheverydigitalimageholdingthepotentialforblack-and-whiteconversion,itsessentialforallphotographerstolearnthereliabletechniquesandinnovativedigitalimplementationsthistimelessphotographicgenreisbasedupon.Startingwithin-depthexplanationsofhowandwhyblackandwhiteworks,MichaelFreemangoesontoteachthemajorthemesandoptimalworkflowsforcreatingstunningmonochromeimagesthatenhanceyoursubjectsandenrichyourportfolio.WiththeengagingcollaborativestructureofthePhotoSchoolseries,andMichaelFreemansyearsofexperienceshootingdigitalB&W,allphotographerswillfindtheirworkrapidlyimproving.Sharedcritiquesandcreativechallengeswillencouragethereadertoseebeyondtheworldofcolourandexplorethefullpotentialofthiseffectiveandclassictechnique.
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作者介绍：
Robert Frank was born in Zurich in 1924 to
parents of Jewish descent. He immigrated to the United States two
years after World War II ended, and since then he has produced work
that changed the history of art and photography. Groundbreaking
projects include The Americans, Lines of My Hand,
Black White and Things, Pull My Daisy and
Cocksucker Blues. Frank was the subject of a major
retrospective organized by the National Gallery of Art, Washington,
in 1994. He was the recipient of the Hasselblad Award in 1996. A
major exhibition organized by The National Gallery of Art,
Looking In: Robert Frank's "The Americans," will tour
nationally in 2009, with stops in Washington, San Francisco and New
York.
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Amazon.com Review
Armed with a camera and
a fresh cache of film and bankrolled by a Guggenheim Foundation
grant, Robert Frank crisscrossed the United States during 1955 and
1956. The photographs he brought back form a portrait of the
country at the time and hint at its future. He saw the hope of the
future in the faces of a couple at city hall in Reno, Nevada, and
the despair of the present in a grimy roofscape. He saw the roiling
racial tension, glamour, and beauty, and, perhaps because Frank
himself was on the road, he was particularly attuned to Americans'
love for cars. Funeral-goers lean against a shiny sedan, lovers
kiss on a beach blanket in front of their parked car, young boys
perch in the back seat at a drive-in movie. A sports car under a
drop cloth is framed by two California palm trees; on the next
page, a blanket is draped over a car accident victim's body in
Arizona.
Robert Frank's Americans reappear 40 years after they were
initially published in this exquisite volume by Scalo. Each
photograph (there are more than 80 of them) stands alone on a page,
while the caption information is included at the back of the book,
allowing viewers an unfettered look at the images. Jack
Kerouac's original introduction, commissioned
when the photographer showed the writer his work while sitting on a
sidewalk one night outside of a party, provides the only
accompanying text. Kerouac's words add narrative dimension to
Frank's imagery while in turn the photographs themselves perfectly
illustrate the writer's own work. --This text refers to an out
of print or unavailable edition of this title.
From Publishers Weekly
In this 50th anniversary reissue, celebrated photographer Frank
maintains the format (left page: brief caption, right page: photo)
and introduction (Jack Kerouac: "with the agility, mystery, genius,
sadness and strange secrecy of a shadow Frank photographed scenes
that have never been seen before on film"), the images themselves
have been re-scanned, re-cropped by Frank and, in two cases,
changed. Frank's images, taken all across the country, leave the
viewer with a solemn impression of American life. From funerals to
drug store cafeterias to parks, Frank recorded every shade of
everyday life he encountered: the lower and upper classes, the
living and dead, the hopeful and destitute, all the while
experimenting with angle, focus and grain to increase impact.
Preceding an exhibition that will tour U.S. galleries in 2009, this
volume will no doubt introduce new generations to Frank's
inimitable record of daily life fifty years ago. Kerouac says,
fittingly, that "after seeing these pictures you end up finally not
knowing any more whether a jukebox is sadder than a coffin"; those
who don't comprehend Kerouac's comment have yet to experience this
classic collection. 83 tri-tone plates.
Copyright © Reed Business Information, a division of Reed
Elsevier Inc. All rights reserved.
Review
There is undoubtedly no book that has packed a greater punch in
modern photography thank Frank's The Americans. -Charlie
LeDuff -- Vanity Fair, April 2008
书籍介绍
From timeless, elegant portraits to gritty, graphic street shots, the possibilities of black and white are endless, enticing, and exciting. Recognising this potential within every shot, and knowing the digital-editing tools and techniques to maximize its effect are essential steps to building up your photographic repertoire.
Having first established the fundamental aesthetic choices that go into every B&W conversion, Michael Freeman goes on to review the noble tradition of black and white, detailing its numerous styles and fashions, with step-by-step instructions on how to achieve each effect, regardless of your particular software. Presented in a straightforward and easy-to-understand format, you will soon be able to both visualise exactly how you want your final image to appear, and achieve that signature look with efficient workflows and powerful conversion techniques.
These skills open up new worlds of photographic opportunity everywhere you look, and encourage artistic growth just as much as they inspire you to try new styles and exciting treatments.
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