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Manet(9782080301062)书籍详细信息
- ISBN:9782080301062
- 作者:暂无作者
- 出版社:暂无出版社
- 出版时间:2010-10
- 页数:416
- 价格:648.00
- 纸张:胶版纸
- 装帧:精装
- 开本:16开
- 语言:未知
- 丛书:暂无丛书
- TAG:暂无
- 豆瓣评分:暂无豆瓣评分
内容简介:
Few artists have created as much controversy or survived it
with greater fame than Edouard Manet. In his day, the avant-garde
was not only a challenge to the traditions of art, but it was also
a gunshot fired at society as a whole. With his painting Olympia
(1869), Manet was to become, to quote Degas, as famous as
Garibaldi. Yet how the urbane and diffident son of a bourgeois
family became the father of both Realism and Impressionism is a
complex and fascinating story that has too often been reduced to
textbook clichés. As Manet has become recognized as a touchstone
for historical change but also for interpretations of how that
change came about, his individual story has become all the more
relevant to the study of art history. Moreover, far from being an
artists to shrink behind his work, one of Manets most
characteristic practices was to leave an indelible trace of his own
personal identity within his paintings, as illustrated throughout
the volume by eminent scholar James H. Rubin. This lavishly
illustrated volume is presented in a handsome box set, and offers a
comprehensive and original angle of study on the great master.
书籍目录:
INTRODUCTION: MY MANET
Manet et manebit
I. NEITHER SAILOR,
NOR BOHEMIAN,
NOR DANDY: A CONTRARIAN
Myths of Marginality
The Family Way
II. THE ARTIST-PERFORMER:
A PAINTER OF MODERN LIFE
Musicians and Assemblies
Manet and Baudelaire
Polichinelle's Theater
III. NAKED PAINTING:
THE PROSTITUTE EFFECT
Farce or Scandal?
The Sex of Paint
Mirroring a Working God
IV. GLOBAL DIALOGUES:
MODERNITY AND TRADITION
Northern Traditions
Color and Spain
Realism and Artifice
in Japan
V. INITIAL M: SIGNATURES
AND THE DOUBLE SELF
Ironic Touches
Sign(rid) Manet
Male Lesbian, Engendering Women
……
作者介绍:
James Rubin is professor of Art History at the State
University of New York at Stony Brook, and is widely known for his
work on nineteenth-century French art. He has published on subjects
from Realism through Post-Impressionism, especially on the artists
Courbet, Manet and the Impressionists.
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书籍介绍
An authoritative work on Edouard Manet, viewed by many as the father of modern painting. Few artists have created as much controversy as Manet: his avant-garde work not only challenged the traditions of art, but also addressed society as a whole. With his painting Olympia (1869), he was to become, to quote Degas, "as famous as Garibaldi." Yet how the diffident son of a bourgeois family became the father of both realism and impressionism is a complex story that has too often been overlooked. As Manet has rightly become recognized as a touchstone for historical change, his personal story has become all the more relevant to the study of art history. This lavishly illustrated volume, presented in a handsome slipcase, offers a comprehensive study of the great master.
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