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Manet(9782080301062)书籍详细信息

  • ISBN:9782080301062
  • 作者:暂无作者
  • 出版社:暂无出版社
  • 出版时间:2010-10
  • 页数:416
  • 价格:648.00
  • 纸张:胶版纸
  • 装帧:精装
  • 开本:16开
  • 语言:未知
  • 丛书:暂无丛书
  • TAG:暂无
  • 豆瓣评分:暂无豆瓣评分

内容简介:

  Few artists have created as much controversy or survived it

with greater fame than Edouard Manet. In his day, the avant-garde

was not only a challenge to the traditions of art, but it was also

a gunshot fired at society as a whole. With his painting Olympia

(1869), Manet was to become, to quote Degas, as famous as

Garibaldi. Yet how the urbane and diffident son of a bourgeois

family became the father of both Realism and Impressionism is a

complex and fascinating story that has too often been reduced to

textbook clichés. As Manet has become recognized as a touchstone

for historical change but also for interpretations of how that

change came about, his individual story has become all the more

relevant to the study of art history. Moreover, far from being an

artists to shrink behind his work, one of Manets most

characteristic practices was to leave an indelible trace of his own

personal identity within his paintings, as illustrated throughout

the volume by eminent scholar James H. Rubin. This lavishly

illustrated volume is presented in a handsome box set, and offers a

comprehensive and original angle of study on the great master.

书籍目录:

INTRODUCTION: MY MANET

 Manet et manebit

I. NEITHER SAILOR,

  NOR BOHEMIAN,

  NOR DANDY: A CONTRARIAN

 Myths of Marginality

 The Family Way

II. THE ARTIST-PERFORMER:

 A PAINTER OF MODERN LIFE

 Musicians and Assemblies

 Manet and Baudelaire

 Polichinelle's Theater

III. NAKED PAINTING:

  THE PROSTITUTE EFFECT

 Farce or Scandal?

 The Sex of Paint

 Mirroring a Working God

IV. GLOBAL DIALOGUES:

 MODERNITY AND TRADITION

 Northern Traditions

 Color and Spain

 Realism and Artifice

 in Japan

V. INITIAL M: SIGNATURES

  AND THE DOUBLE SELF

 Ironic Touches

 Sign(rid) Manet

 Male Lesbian, Engendering Women

 ……

作者介绍:

  James Rubin is professor of Art History at the State

University of New York at Stony Brook, and is widely known for his

work on nineteenth-century French art. He has published on subjects

from Realism through Post-Impressionism, especially on the artists

Courbet, Manet and the Impressionists. 

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书籍介绍

An authoritative work on Edouard Manet, viewed by many as the father of modern painting. Few artists have created as much controversy as Manet: his avant-garde work not only challenged the traditions of art, but also addressed society as a whole. With his painting Olympia (1869), he was to become, to quote Degas, "as famous as Garibaldi." Yet how the diffident son of a bourgeois family became the father of both realism and impressionism is a complex story that has too often been overlooked. As Manet has rightly become recognized as a touchstone for historical change, his personal story has become all the more relevant to the study of art history. This lavishly illustrated volume, presented in a handsome slipcase, offers a comprehensive study of the great master.

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